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Das grosse Feuer (cover) at Opernhaus Zürich
Covering the role of Aquella Muchacham in the world premiere of Beat Furrer’s Das grosse Feuer.
Musikalische Leitung Beat Furrer
Inszenierung Tatjana Gürbaca
Performances 23, 25, 28, 30 March, 4, 6, 11 April
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Framing with Ensemble Aventure
Johannes Boris Borowski (*1979) Dreh dich nicht um (2022) UA
Rolf Riehm (*1937) Framing Schwarze Pappeln Persephone (2020)
Elias Jurgschat (*1995) so-sein (II) (2020/24) UA
Kate Soper (*1981) Only the Words Themselves Mean What They Say (2010/11)
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Framing with Ensemble Aventure
Johannes Boris Borowski (*1979) Dreh dich nicht um (2022) UA
Rolf Riehm (*1937) Framing Schwarze Pappeln Persephone (2020)
Elias Jurgschat (*1995) so-sein (II) (2020/24) UA
Kate Soper (*1981) Only the Words Themselves Mean What They Say (2010/11)
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WITHDRAWN Tim Cape premiere at Cafe Oto
Unfortunately Mimi has had to withdraw from this event due to a respiratory infection. Plus Minus Ensemble and Arco will still be performing at Cafe Oto this evening.
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Lutoslawski with Farnborough Symphony Orchestra
Lutoslawski: Silesian Triptych and Lacrimosa
conducted by William Carslake
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Vivier and Newski with the oenm
Sergej Newski: „Cansìon“ nach den Gedichten aus dem Buch „La nuova Gioventù“ von Pier Paolo Pasolini für Sopran, Saxophon und Ensemble (2019)
Claude Vivier: „Trois airs pour un opéra imaginaire“ für Sopran und Ensemble (1982)
œsterreichisches ensemble fuer neue musik
Conducted by Johannes Kalitzke.
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Vivier with le NEM
Vivier Trois Airs pour un Opera Imaginaire with Nouvel Ensemble Modern in Montreal
Conducted by Jean-Michaël Lavoie
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Oxford International Song Festival with Dylan Perez
‘Death and Paradise’
A Kafka-inspired programme featuring Dvorak, Janacek, Kapralova, Mahler and Brahms
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Trobar at Festival International de Harpe d'Occitanie
Music for voice and harp from the 11th to the 20th century with Héloïse Carlean-Jones (harp)
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Trobar at Harposphere
Songs by Faure, Ravel, L. Boulanger, and Chaminade alongside 11th century troubadour song, arranged for voice and harp. Performed by Mimi Doulton and Héloïse Carlean-Jones.
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Liebesgesang at the Tiroler Landestheater
Sie in the Austrian premiere of Georg Friedrich Haas’ Liebesgesang.
Musical direction: Stefan Politzka
Stage direction: Marcos Darbyshire
Performances 13, 15, 20, 26, 29 September, and 12, 16, 25 October
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Laura Bowler's ADVERT with Decoder Ensemble
At Viitasaari Time of Music Festival, Finland
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Finalist in the Peter Hulsen Orchestral Song Award
Finalist in the Southbank Sinfonia’s biennial competition for orchestral song.
Repertoire TBC.
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Aufstieg und Fall der Stadt Mahagonny at Staatsoper Stuttgart
Mädchen in Kurt Weill and Bertolt Brecht’s Auftieg und Fall der Stadt Mahagonny
Performances on 11, 15, 26, 28 May, 1, 8, 11, 29 June
Conducted by Cornelius Meister, directed by Ulrike Schwab
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Alison Bauld 80th Birthday at the Red House
with pianist Dylan Perez.
Performing highlights from Messiaen‘s Chants de terre et de ciel and Copland‘s 12 Emily Dickinson Songs, alongside new Dickinson settings by Alison Bauld.
We are grateful to the Vaughan Williams Foundation and the Marchus Trust for their support of this new work by Alison Bauld.
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Recital with Ben Smith
Following their successful ensemble debut at Spitalfields Festival, pianist Ben Smith and soprano Mimi Doulton bring a musical miscellanea to the University of Southampton. The wry humour of Michael Finnissy and Matthew Shlomowitz features alongside mysterious and intimate works by Nordic composers Rasmus Zwicki and Kaija Saariaho, woven together with personal favourites from their voice and piano repertoire.
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Last Days with the LA Phil
Oliver Leith’s Last Days with the LA Phil New Music Group, conducted by Thomas Adès. https://www.laphil.com/events/performances/2452/2024-02-06/last-days
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Once upon a time... lecture recital
Repeat lecture at Christ Church Henley, 8 December 2023, 11am: Once Upon a Time... — Opera Prelude
A journey through some of opera's greatest fairytale adaptations. From Humperdinck's beloved Haensel und Gretel to Dvorak's little mermaid-inspired Rusalka and lesser-known works such as Hans Abrahamsen's The Snow Queen - there will be something for everyone in this lecture for the festive season!
With Thomas Ang, piano
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Panellist: Why make art about anything else? AT HCMF
Panellist at Huddersfield Contemporary Music Festival, discussing music and the climate crisis. Chaired by Dr Laura Bowler.
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ich habe ihn nie getroffen: Bernhard Gander
premiere of Bernhard Gander’s new chamber opera for soprano, ‘cello and percussion as part of Salzburg Taschenoper Festival. More details to be announced: KLANG ))) 21 (klang21.com)
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1773 - an opera Kaleidoscope with the Mozartists
Jumping in for an indisposed colleague, conducted by Ian Page. Repertoire by Haydn, Schweitzer and Myslivicek.
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Songs at Day, Songs at Night with Birmingham Contemporary Music Group
Mimi Doulton Soprano; Vimbayi Kaziboni Conductor; Thando Mjandana Tenor
Julian Anderson: Thus (2023); Mitternachtslied (2020, 2023)
Harrison Birtwistle: … when falling asleep (2018)
Hannah Kendall: Tuxedo: Between Carnival and Lent (2022)
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Songs at Day, Songs at Night with Birmingham Contemporary Music Group
Mimi Doulton Soprano; Vimbayi Kaziboni Conductor; Thando Mjandana Tenor
Julian Anderson: Thus (2023); Mitternachtslied (2020, 2023)
Harrison Birtwistle: … when falling asleep (2018)
Hannah Kendall: Tuxedo: Between Carnival and Lent (2022)
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Penkhull Festival with Olivia Jageurs
Ravel's 5 Greek songs, selections from L. Boulanger Clairieres dans le ciel, Faure and troubadour music arranged for voice and harp.
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Panellist: Opera and Money
Panellist at the 2023 Oberto conference, representing Freelancers Make Theatre Work.
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The Conductor as Dramaturg: Britten Pears
Working with students at Britten Pears on excerpts from Oliver Leith’s Last Days. https://brittenpearsarts.org/the-conductor-as-dramaturg
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Imagining a flight free future
Leading a workshop at the field notes Berlin ‘Time to Listen’ conference.
An invitation to come together and imagine a path to sustainable new music creation.
This workshop will take a critical look at the practices of composer-performer and writing for specific performers / ensembles from an environmental perspective; and explore the practical matters of sustainable touring, and how we manage our money and time to support slow travel.
Find the full programme here: Program | field notes (field-notes.berlin)
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Sommer in Stuttgart with Neil Luck and Ensemble Ascolta
More details coming soon: https://www.sommer-in-stuttgart.de/